Reverb and preverb effects can be created additively by using the blur knob, which smears the partials horizontally and adds harmonic attack or release, while partial frequencies themselves can also be blurred vertically using the harmonic blur control. Located directly below the blur module, the prism knob is the main way to control the pitch of partials, which is useful for creating a detuned or harsh sound. Partials are shifted from their original frequency according to the selected harmonic level to prism amount. To the right of the prism controls is the harmonizer module, which essentially accentuates the volume of certain harmonics according the configurable harmonizer pattern matrix and the three other harmonizer controls. To the right of the harmonizer is the unison section, which enables the control of unison voices and their spread in pitch, pan and phase.Įspecially useful for creating a string-like sound, the pluck knob uses another kind of filter to impact the decay rate of a sound's partials. By default, this simulates an effect of a string being plucked however, any sound created in Harmor can be emulated in that fashion. To the right of the pluck controls, a phaser unit is also available. By default, Harmor's phaser is essentially an endlessly rolling notch filter, which can be extensively shaped, manipulated and even keytracked. Below the harmonizer are some parameters controlling note frequency and partials multipliers and dividers, as well as vibrato. The Global Controls section of Harmor's GUI controls a variety of effects more related to the performance of notes rather than the timbre of the sound. Articulation of notes is strongly effected by the legato and strum controls. An A/B switch can also be found, and allows the user to switch between the two independent parts that can be mixed and modulated separately. Finally, the processing order of the different additive modules and elements can be changed in the advanced tab. The depth of the final sound output can therefore be very deep and complex due to all these factors controlling more characteristics of the sound, especially considering the fact that the behavior of most of those additive modules can also be customized in the envelope section using line editors (i.e.

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